
Jorge
Villavicencio
Grossmann's music has been performed throughout
the United
States, Latin America and Europe by ensembles
such as the National Symphony
Orchestra of Ukraine, Peruvian National
Symphony, New England Philharmonic,
Aspen Sinfonia, Kiev Camerata, Nouvel Ensemble
Moderne, Da Capo Chamber Players,
Pierrot Lunaire Ensemble Wien® and Jack
Quartet. His works find inspiration in
a wide range of subjects, from medieval music to
Latin American modern art. His
awards include a fellowship from the John Simon
Guggenheim Memorial Foundation, the Aaron
Copland Award, Charles Ives Scholarship from the
American Academy of Arts and
Letters, and fellowships from
Vitae-Associação de Apoio à
Cultura (Brazil) and
the Nevada Arts Council. His residencies include
the Copland House, MacDowell
Colony (Norton Stevens Fellow) and Atlantic
Center for the Arts. His orchestral
work Pasiphaë
has been a recipient of
the Jacob Druckman Award from the Aspen Music
Festival, first prize in the New
England Philharmonic Call for Scores, and an
honorable mention in the Lepo
Sumera Orchestral Competition, in Estonia. He
has also received grants from the
American Music Center, St. Botolph Club
Foundation, and Meet the Composer.
Guest-composer
appearances include Festival Internacional de
Chihuahua, Mexico; Festival
Internacional de Música Clásica
Contemporánea in Lima, Peru; Festival of
the
Arts in Colorado Springs, and Miami-ISCM. His
works have been selected to be a
part of conferences and festivals in the U.S. as
well as in the Festival de Música
Contemporánea in Asunción,
Paraguay, and Archipel Music Festival, in
Switzerland. He has been commissioned by
organizations such as the Nevada Music
Teachers Association, ALEA III, and the
Henderson Symphony Orchestra. In 2008,
he was featured as the composer-in-residence for
SLAM, Seattle Latin American
Music Festival. Having studied violin and
composition in his native Lima and
subsequently in São Paulo, Brazil, Jorge
Villavicencio Grossmann moved to the
U.S. in 1998, where he studied composition with
Fredrick Kaufman, John
Harbison, and, for three years, with the late
Lukas Foss. In 2004, he obtained a D.M.A. in
composition at
Boston University and joined the faculty at the
University of Nevada, Las
Vegas, later becoming co-director
of N.E.O.N., Nevada Encounters of New
Music. In 2010, he joined the faculty at Ithaca
College as assistant professor
of composition, where he also directs the Ithaca
College Contemporary Ensemble. He is currently
director of áltavoz, a
Latin American composer
consortium.